Sasando is a harp-like traditional music string instrument
native of Rote Island of East Nusa Tenggara, Indonesia.
The name ”sasando” is derived from Rote dialect ”sasandu”
means "vibrating" or "sounded instrument". It is believed
that the sasando has already been known to the Rote people since the 7th
century.
The main part of the sasando is a bamboo tube that serves as
the frame of the instrument. Surrounding the tube is several wooden pieces
serving as wedges where the strings are stretched from the top to the bottom.
The function of the wedges is to hold the strings higher than the tube surface
as well as to produce various length of strings to create different musical
notations. The stringed bamboo tube is surrounded by a bag-like fan of dried
lontar or palmyra leafs (Borassus flabellifer), which functions as the
resonator of the instrument. The sasando is played with both hands reaching
into the stings of the bamboo tube through opening on the front. The player's
fingers then pluck the strings in a fashion similar to playing a harp or
kacapi.
The sasando has 28 or 56 strings. The sasando with 28
strings called sasando engkel and sometimes has 56 strings, called double
strings.
Legend
According to local tradition, the origin of the sasando is
linked to the folktale of the Rote people about Sangguana. The story goes that
there once was a boy named Sangguana who lived on Rote Island. One day, as he
tended to savannah, he felt tired and fell asleep under a palmyra tree.
Sangguana dreamt that he played beautiful music with a unique instrument whose
sound and the melody was so enchanting. When he woke up, surprisingly,
Sangguana could still remember the tones he played in the dream. Wanting to
hear it one more time, he tried to fall asleep again. Again he dreamt of the
same song and the same instrument. Sangguana was enjoying his dream, but
eventually he had to wake up. Not wanting to lose the beautiful sounds from his
dream, Sangguana tried to recreate the sounds and quickly created a musical
instrument from palmyra leaves with the strings in the middle, based on his
memory from the dream, which became the basis of the sasando.
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